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Updated: Paul McCartney Is Now Pulling His Albums from 'All Streaming Services...'

Tuesday, February 07, 2012
by  paul

2nd Update (Thurs., 7am PCT) : Rhapsody has confirmed the removal, expressing 'shock' to Digital Music News this morning.  Content is not on MOG, though we did not have a 'before' snapshot; Rdio is expected to pull the content shortly.

On Wednesday, Spotify responded and noted that Paul McCartney and Wings content was actually first removed in 2010.   As noted earlier, there is still some McCartney content remaining, but Spotify says those tracks are licensed through other compilations.   

Separately, the removal order leaked to Digital Music News from Universal Music Group and Concord clearly designates that 'all streaming services' are now being asked to remove McCartney and Wings content. 

More as it develops.  The updated article follows. 

 

Paul McCartney is now pulling both solo and Wings content from 'all streaming services,' according to takedown orders shared by sources Tuesday evening.  That of course encompasses Spotify, though a representative emailed Digital Music News on Wednesday morning to clarify that removals on Spotify actually happened in 2010.  McCartney and Wings content is getting ripped down from other streaming services, which suggests that this could be a 'streaming clean sweep' and a clean emphasis on other formats like downloading.

Specifically, the takedown is coming from Concord Records, though other McCartney releases also appear unavailable.  In fact, a search this evening produced just a handful of McCartney songs, outside of covers, modified instrumentals and other variations.

 

 

The removal request, issued by Universal Music Group Distribution on behalf of Concord (and Hear Music), includes the following:

 

Paul McCartney: 

All the Best

Driving Rain

Flaming Pie

McCartney II

Off the Ground

Paul Is Live

Run Devil Run

Tripping the Live Fantastic

Tripping the Live Fantastic Highlights!

Tug of War

Unplugged - The Official Soundtrack

Wingspan

 

Wings:

Back to the Egg

London Town

Wings Over America

Wings at the Speed of Sound

 

Paul McCartney & Wings:

Red Rose Speedway

 

Additionally, sources involved in the pulldown have also confirmed that these albums will remain available for download, at locations like the iTunes Store and AmazonMP3.  A check on iTunes not only confirms that availability, and but also reveals a front door promotion.

Other famous titles, like Band on the Run, are not listed in the takedown order (and appear to be managed by other labels).  But they are also not available on Spotify, and we're still learning details on these releases. 

Sources declined to share the exact reasons for the takedown, or even the exact decision-maker within the McCartney camp.   But a good guess is that this is rooted in financial comparisons, especially considering the decision to remain with download services.  

More details as they become available.





  • Comments Closed
    Comments (52)

    Visitor Tuesday, February 07, 2012

    Must be connected to his iTunes/Apple TV live stream promotion.  So now Apple's gonna make artist pull down from Spotify to get the love??


    @madktc Tuesday, February 07, 2012

    Seems like good business in 2012.  Maybe not so much in 2015. 


    Quoting Bob Lefsetz Wednesday, February 08, 2012

    Nobody gives a shit about his standards album anyway.

    Despite the reproduction of press releases in mainstream media, despite the reviews of said album in same, no one really cares. That's the dirty little secret of being a classic rocker, you're done, you're toast, only people your age have any desire to hear your new music, and most of them don't either.

    Which is why you've got to make it easy.

    Somehow, these acts still put money in front of exposure. When their problem is just the opposite. Believe me, McCartney's grosses are not going to go down if his music is on Spotify, just the opposite. People know the legendary cuts and want to hear them live. But they don't want to hear the new music. That's time to pee, to get popcorn, an indulgence by the oldsters that they tolerate, just as long as it's only a couple of songs. And how do you change this? By making good new music and making it available to people.

     

    read his entire letter at: http://lefsetz.com/wordpress/index.php/archives/2012/02/


    peterfny Wednesday, February 08, 2012

    Oooooh, download blog boy doesn't care for Paul's standards album (which just happens to be great, BTFW). I'm sure his heart will be broken about that. Maybe some folks should stick to writing hipster doofus posts about the power YouTube.


    thankyou Wednesday, February 08, 2012

    lefsetz is a tool. it's a solid album.


    Cliff Baldwin Wednesday, February 08, 2012

    It's really quite simple...

    iTunes = modest revenue stream

    Spotify, YouTube, and the like = black hole of nothingness for artists

    (except maybe for Google and the investors in Spotify)


    McCartney f*ck Off Wednesday, February 08, 2012

    Haaaa brilliant and quite probably true. It makes me cringe when I see a big banner ad of someone like McCartney draped over some service's front page. It makes my eyes cry a little bit inside the eye ball.

     


    Cliff Baldwin Wednesday, February 08, 2012

    Ah yes, so sad that someone would take a niche-y jazz inspired album that doesn't have much commecial appeal and put it in front of a large audience. That's such a pity. Everyone is just so greedy and commercial these days, not like the old days of the music business when everyone was so ethical and fair. These bastards even want to exploit iconic artists who are trying something different and promote them to the world. Such B.S. Really everyone should just be groovy hipsters and not get any marketing or promotion so they can stay cool and relevant to SXSW (and broke). Why are there so many people with an I.Q. < 9 on this board?


    Visitor Wednesday, February 08, 2012

    Well, that's actually funny since... The midweek UK chart position shows this is going to be his most succesful album in the UK since the 90's! 


    lastamerican Wednesday, February 08, 2012

    this is not about paul its about the record company.

    they dont have a piece of any other income stream, and they paid for the record.

    how they suppsed to get it back?

    the answer is, they shouldnt have made a deal unless they had a piece of touring or they shouldnt have paid and advance for the record....


    Steven Corn (BFM Digital) Wednesday, February 08, 2012

    This move won't hurt Paul, Concord, UMD, or even Spotify.  It's a fear-motivated move that will be hard to defend or criticize months or years from now.  I seriously doubt if track sales will increase by removing these albums from Spotify and other streaming services.  I challenge Concord to do an analysis 6 months from now and see if sales increase beyond the 8% annual rise we've seen in past years.  I'll bet good money that there won't be a sizable bump.


    Cliff Baldwin Wednesday, February 08, 2012

    Track sales will not increase. Why would they? However giving the album away for free or next to nothing to bottom feeders will decrease. Can you fault Paul's camp or the label for assessing a shitty business model and saying, "uh, no thanks, we're smarter than that." Wake up people.


    FindFiles.net Wednesday, February 08, 2012

    An understandable move. The situation is very different for young artitsts however, needing a platform for making themselves yet known.


    David Wednesday, February 08, 2012

    Yawn!!

    Seriously, who cares?? 'Live and Let Die' is on there, so that's enough Macca for one day.

    This is not a mass exodus from Spotify. This is Apple working/manipulating things + that looks bad. It will do iTunes no favours in the long run.

    I'm sure Paul McCartney had absolutley nothing to do with this.


    DDB9000 Wednesday, February 08, 2012

    Not to be picky but, "Band on the Run" IS on Hear Music/Concord, as is "McCartney" and "Memeory Almost Full", and pretty much all his post-Beatles stuff (barring some of his classical stuff on EMI).

    I guess when you live in a digital music world you can't see the info on the record labels...


    FarePlay Wednesday, February 08, 2012

    We've seen rumblings from other major and independent artists on the compensation model from Spotify.

    As we see fall out from the bit torrent community, it will be interesting to see where the intersection of technology and music takes us.


    djaybe Wednesday, February 08, 2012

    WHO?


    derby Wednesday, February 08, 2012

    who cares. fuck you paul mccartney.


    rob Wednesday, February 08, 2012

    there are a bunch of (mostly younger) spotify users not giving a shit right now.  i'm sure the songs are real pretty, but this is just the record you buy your mom at christmas.  it's purpose is not to be shared to show someone's artistry and get attention.  it's a cash grab that worked just fine for rod stewart.


    MisterSoftee Wednesday, February 08, 2012

    Rdio is ripping stuff down the catalog is gone as of today. 

    Gone from MOG also.  

    It's a wipe.


    INTERAGENT Wednesday, February 08, 2012

    Well if it not's on Spotify I guess I'll have to get it for FREE. I guess they figure that anyone who will want his music doesn't know how to get it for FREE. That's probably mostly true. Even though I'm just a wee bit younger than ol' Sir Paul, I am personally moving with the tide of the future and will just ignore anyone who doesn't want me to listen to their music for $10 a month. (Spotify)

     


    Yves Villeneuve Wednesday, February 08, 2012

    You are exhibiting antisocial [criminal] behavior ie. "If I don't get I want at the price I demand, I will steal that product."

    Don't let the hackers and thieves control the Internet and legal commerce.

    @StHOLLY Wednesday, February 08, 2012

    Paul, please give me only ONE exciting song after beatles/wings, who cares about your CD or if you're on Spotify. 


    @svdleer Wednesday, February 08, 2012

    Weer een artiest/label die het nog steeds niet begrepen heeft

    #fail


    @JimCampilongo Wednesday, February 08, 2012

    Thank you Paul, thank you...


    @dogtanionmusic Wednesday, February 08, 2012

    NOT THE FROG CHORUS!?


    @uebernoise Wednesday, February 08, 2012

    Seems like Spotify will soon be THE place for quality tunes.. ;)


    CowboySlim Thursday, February 09, 2012

    THE place for STOLEN quality songs. And if you KNOW the content is stolen, even if you pay for their service, the theft passes down to you as well.  You know they are stealing their content, they are stealing from ME.  If you continue to pay them, YOU are stealing from me. 


    David G Friday, February 10, 2012

    Cowboyslim, Change distributor.

    If CD Baby tells you all or nothing use someone else.

    My company IndigoBoom (Shameless plug) lets you choose and so I think, does Ditto. Regardless of who you choose you can distribute without including Spotify in your portfolio.


    @digimusictrends Wednesday, February 08, 2012

    Frankly I'm beginning not to care.


    @atzedevrieze Wednesday, February 08, 2012

    Natuurlijk Sir Paul, nu rennen we ALLEMAAL naar de winkel om je saaie standardsplaat te kopen.


    @jlynch3 Wednesday, February 08, 2012

    Bad move.


    @scottopia Wednesday, February 08, 2012

    Everybody loses.


    @VelcroBoatShoes Wednesday, February 08, 2012

    Likely over music royalties...


    Spotify this Wednesday, February 08, 2012

    This is lazy journalism by Digital Music News. Had any fact checking been done at all you would have found Paul's music hasn't been on Spotify for at least 12-18 months and certainly not since Spotify has been available in the U.S.  Journalism FAIL.     


    twentw Saturday, February 11, 2012

    This is absolutely incorrect.  I've only had Spotify since September 2011 (in the US) and I've listened to quite a few McCartney solo releases there.  I don't know why Spotify itself wouldn't know this. 


    @karaemurphy Wednesday, February 08, 2012

    Hey labels, it's time to embrace digital.


    Bill Diggins Wednesday, February 08, 2012

    Who cares???


    Marvel Goose Wednesday, February 08, 2012

    long time fan here. I have no need to hear Macca on streaming services as I already own the catalog on old fashioned CD's ripped to my home server.  When I listen to streaming services, I'm looking to hear music I don't already own.   There are a million classic rock stations, why bother paying to listen to classic rock on a streamer?

    As for him pulling his catalog, its his music after all and he can decide how and when he sells it. Having been royally ripped off in the '60'd, I can understand his wanting to get paid for his work. 

    I heard an off cut from the new album today in the car on Sirrus and it sounds great.  Just need time to go to a bricks n motar store.   I could download it, but with a collection going back to the 80's why not just keep it all in one format?


    @RonanPrice Wednesday, February 08, 2012

    Because he needs the money presumably?


    @raulito Wednesday, February 08, 2012

    ZZZzzzzzz Somebody tell these old school artist to join the 21st century.


    steveh Wednesday, February 08, 2012

    Spotify might have fancy technology that's great for the user.

    But the way they treat artists is not 21st century - more like 19th century.


    D. Thursday, February 09, 2012

    Who's Paul McCartney, and why should I care?


    David G Thursday, February 09, 2012

    Sir Paul is one of the reasons we even have a music business. Show a little respect. The guy and his label are completely right to do some windowing on this.


    Jennifer Lane Thursday, February 09, 2012

    I'm guessing that by "streaming music services" what is meant is "on-demand" streaming music services; and that this does not apply to streaming services such as Pandora or broadcast stations that are streaming their programming. Anyone know?


    JSS Thursday, February 09, 2012

    We saw how vital Paul still is with his Starbuck's deal didn't we? No streaming involved there.

    When you gouge fans for tickets and remaster, repackage and rerelease your age-old content like the dinosaur brigade Macca is ensconced in I guess you can make these kinds of moves. From one who PAYS for Spotify and BUYS music this is ridiculous.

    Listening to rich old men complain about a royalty rate that will continue to increase as the service is adopted is tiring. If you think you can still make it work under the old model, good luck. 

     

     


    steveh Thursday, February 09, 2012

    "a royalty rate that will continue to increase as the service is adopted"

    You have absolutely no proof of this. None whatsoever.

    It's just as likely that if Spotify become more powerful they will drive their royalty rate down on a "take it or leave it suckers" basis.

    Please stop making arrogant and conceited assertations when you have zero proof to back it up.


    CowboySlim Thursday, February 09, 2012

    Check out my post a little further down on this thread.  Spotify steals from EVERYONE. They sell you a service but they don't pass the money on to the creators of the content.  It is a "one for me, none for you, one for me, none for you" division of the proceeds.  If you feel okay about paying someone else to steal for you, maybe I AM wrong...but my Mama taught me better than that...theft is theft, no matter how you disguise it. 


    @clarksorley Thursday, February 09, 2012

    How does it benefit McCartney not being on Spotify?...


    @macervoni Thursday, February 09, 2012

    Ugh, you greedy bloke.


    CowboySlim Thursday, February 09, 2012

    I have content on the digital services and have been continually ripped off by Spotify. I attempted to single them out and remove my music from their "service", but CDBaby told me it was all or nothing. This company manipulates even the way they report streams...they pay different rates depending on who-knows-what rules. I noticed they report identical sales on consecutive days to avoid paying FRACTIONS of a cent. They are stealing from me and YOU, but I have only the recourse of NO DIGITAL distribution or allowing those skunks to rip me off. Since I am an artist trying to get my music out there, I settled for having people hear me, even if they listen for free. There is definitely something wrong when my distributor tells me to take it or leave it, and I am the one who created the product.

    Visitor Friday, February 10, 2012

    Good. More artists and labels should do the same until streaming services offer a reasonable compensation rate, and TRANSPARENCY.

    - Versus


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