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Report: Streaming Could be Worse for the Environment Than CDs...

Sunday, September 16, 2012
by  paul

We may be creating a bigger monster than what we left behind. And the early research keeps suggesting that digital formats like downloads and streams could actually be worse for the environment than CDs and vinyl.  "Digital music isn't distributed in an environmental vacuum," a just-released report from MusicTank states.  "The embedding and sign-posting of rich, high bitrate files required by various digital content services – especially online video – depends on sprawling server farms and a complex, energy-sapping network infrastructure. This is on top of the energy consumed in device manufacture and operation of a vast array of devices."     

 

 June, 2011: "8 Reasons Why Vinyl Is Cleaner Than the Cloud..."

 

This is a far bigger problem associated with cloud computing, disposable smartphones, and a totally new style of 'trash'.   And the early math suggests digital and physical footprints are closer together than we think.   

 

"Streaming or downloading 12 tracks, without compression, just 27 times by one user would, in energy terms, equate to the production and shipping of one physical 12-track CD album. 

 

Clearly, the problem isn't that a digital album has a heavier footprint than an actual CD or vinyl, pound-for-pound. Instead, there are a lot more pounds being consumed on the digital side.  In the digital era, listening levels are dramatically increasing, and the amount of content released has been expanding exponentially.  It's all part of an ecosystem that demands a far greater amount of hardware and delivery infrastructure.

 

 April, 2011: "Apple's Cloud Facility Will Consume the Power of 80,000 Homes..."

 

We're still in the gaga stage of cloud computing, but this could ultimately put a dirty spotlight on tech demi-gods like Apple and Google, especially as the brick-n-mortar pieces of the cloud get assembled.  But the most massive demands are easily coming from online video, not audio-only streaming or cloud-streamed downloads.  And P2P, once the preferred choice for music acquisition, is suddenly a smaller piece of a much larger pie.  Here's a breakdown offered by MusicTank, citing Cisco stats.

 

 

Quantifying the problem remains a difficult problem itself.  In the physical realm, measurement is easier: x-number of CDs, with a certain percentage ending up in landfills, etc.  But in the digital realm, complexities balloon to include plants, hardware, electricity consumption, different types of media, and even energy costs related to creating all this content.  That is a question for a lot more research, though the answer could be a depressing one for environmentalists.

 

"Repeated streaming of individual tracks may not necessarily be a desirable long-term solution with respect to energy consumption for the life cycle of a sound recording."

 

 





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    Comments (15)

    Casey Sunday, September 16, 2012

    I don't think it is as clear cut as it seems. When you figure in everything that goes into making a CD that is not necessary for making a digital stream (the case, booklet, physical CD, packaging on the CD, shipping of the CD to the retailer, the energy cost associated with keeping the CD in storage or on the retail floor, transporting the CD home, and even the cost associated with spinning the disk drive, etc.). Basically, a lot goes into a CD. Streaming is much simpler. The files get sent to the online service and from there are streamed. The only clear environmental costs associated are the costs associated with the data centers, the costs associated with the creation of the software and necessary operating procedures, and the device a person listens on. Unlike CDs, transportation is free (environmentally) when it comes to streaming. The internet networking infastructure is already in place, consuming the same amount of energy regardless of what passes over it. Physcial trucks do not operate that way.

    Technically, the two products being offered are streams and CDs. The costs associated with the making of the products is the cost of running the servers (which make the streams) and the cost of making the CDs and their necessary cases, etc. Figuring out the costs associated with making the servers (not running them) would mean you have to figure out the costs of making the equipment that makes CDs. That is going to be nearly impossible to calculate.

    Now data centers consume a lot of energy. It is not just the servers and networking devices, but the cooling is also a very large factor. It is possible that the environmental cost for streaming is greater than CDs. But it won't stay that way. Servers are getting more energy efficient on a continuous basis, networking devices are moving more data per watt, and virtualization is reducing the amount of servers needed. Streaming will only get more efficient. CDs are probably not going to get more efficient in the near future and probably never as the amount getting produced continues to drop.

     

    "Streaming or downloading 12 tracks, without compression, just 27 times by one user." Highly possible. But songs are not streamed without compression. And no one is going to download tracks 27 times. Granted you technically download a track every time you stream a track, but an actual file download from iTunes only needs to be done once, with compression, making is much more efficient than a CD. Streaming songs with compression could result in more energy usage than a CD, but being as the music is compressed it would be much more than 27 times. And as I was very clearly made aware of in a different debate, people rarely listen to a track that many times.

     

    Just my take.


    paul Monday, September 17, 2012

    Casey, 

    On your last point, the report asserts that compression could be a temporary solution to current bandwidth restrictions.  And, non-compressed delivery could become a reality in the future.

    "While there’s a huge difference between energy consumed by one streamed MP3 (0.16 Wh) and that of an uncompressed track (1.21 Wh), advances in network infrastructure speeds in excess of 100 mbps (wireless) mean that audio files would no longer need to be compressed in future."

    Actually, Jimmy Iovine and other audiophiles are among those that would like to see this reality.  

    I see something even bigger: audio-only itself is a function of bandwidth restrictions, but this could eventually be replaced with far broader media packages that include video, more metadata, etc., to be accessed if the listener decides.

    /paul


    jw Monday, September 17, 2012

    Streaming in the future might also include more than 2 channels. I was never tempted by the surround sound releases, but now that I can stream Spotify through my Onkyo home theater receiver, I would pay a premium for 5.1 channels, which would be ~2.5 x 1.21Wh per track without compression.


    drugs Monday, September 17, 2012

    What's the purpose of streaming 2 channel audio in 5.1?


    jw Monday, September 17, 2012

    http://en.wikipedia.org/wiki/5.1_Music_Disc
    http://en.wikipedia.org/wiki/Super_Audio_CD
    http://en.wikipedia.org/wiki/DVD-Audio


    jw Monday, September 17, 2012

    Spotify's cache defaults to 10% of your hard drive. My hard drive is 320gb, so that's ~3,200mb of Spotify storage. Supposing a song is 10mb ea (compressed), that's 320 songs stored locally, or ~26.5 albums. Supposing I don't have more than 26.5 albums in rotation, those songs are being pulled locally. At least that's my understanding of it. And the cache can be increased to 10gb. So this idea that 324 (27x12) non-compressed streams (~19 hours at 3.5 mins/song) equals one manufactured cd is misleading because we're still in the compression era, & a "stream" isn't necessarily a stream. It's an extreme oversimplification.

    The comparison is made tougher because you're comparing consumer habits to manufacturing habits here. Plenty more CDs are manufactured than sold, & all of the overrun has to be factored in.

    Additionally, the ever increasing affordability of recording equipment drives the creation of more content than there is demand for, & the number of projects released grows by leaps & bounds each year. This is offset somewhat by online-only releases. Albums that are released & never stream have a negligible impact on the environment, when these albums would've otherwise been pressed, even if only in runs of a thousand or so... thousands of runs of a thousand really add up.


    @alice_may_ Monday, September 17, 2012

    great...


    @ledzeptickets Monday, September 17, 2012

    Learn something new EVERY day :-) Never thought the beauty of music could potentially harm the envirionment.


    J Red Monday, September 17, 2012

    Paul,

    You state -

    Quantifying the problem remains a difficult problem itself.  In the physical realm, measurement is easier: x-number of CDs, with a certain percentage ending up in landfills, etc.  But in the digital realm, complexities balloon to include plants, hardware, electricity consumption, different types of media, and even energy costs related to creating all this content.  That is a question for a lot more research, though the answer could be a depressing one for environmentalists.

     

    I have a problem with this argument.  It seems that you are comparing a portion of a costs associated with physical to anything and everything involed with digital.  If you are going to incorporate the waste created by i Pods and smart phones, you need to take in to account walkmans and home stereos of yesteryear.  There is also the fuel cost of shipping all that plastice across the country and world.  There are other things as well but i believe this articulates my point.  I'm not trying to hate on you, I just want a fair comparison is all.

     

    Jared Kuenstler

    CEO Nasty Recordings

    NastyRecordings.com


    mdti Tuesday, September 18, 2012

    I don't think the hardware player to play streamed music should be included for a fair comparison.

    Because hardware exists for old formats too.

    The difference is probably that chinese workers were not killed by explosions of turntable factories, contrary to some high end tablet we all heard about.

    What could be included, is the cost of electro-sensibility for wireless devices. But the number of people truely sensitive to wifi radiations is too low and not taken seriously. May be in a few decades when western science will admit that electromagnetism can cause health damages (like it was found in other, not western cell phone producing countries).


    mdti Tuesday, September 18, 2012

    nb:

    wifi: understand, wifi and any type of wireless connection, microwave or not....

    at what frequency do you produce pop-corn again ?


    J Red Wednesday, September 19, 2012

    That was kind of my point.  Maybe I didn't express it well enough, but I'm glad we agree. 

    J Red


    mdti Tuesday, September 18, 2012

    i agree with the difficulty to make an accurate global picture....

    I never heard of a progress in any domain that does not imply a step backward of any kind.


    mdti Tuesday, September 18, 2012

    data can be stored in DNA cells.

    All the information on the net today can be encoded in a DNA abled device that is smaller that your smallest finger nail.

    http://www.extremetech.com/extreme/134672-harvard-cracks-dna-storage-crams-700-terabytes-of-data-into-a-single-gram


    The question is "in how long" and whether this time lapse is shorter/longer than what is takes for vynil to disappear in nature (hundreds of years) ?


    @MikeRandom1 Tuesday, September 18, 2012

    I disagree.


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