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Any Questions? Taylor Swift Just Sold 1.2 Million First-Week Albums...

Wednesday, October 31, 2012
by  paul

You could still argue that Taylor Swift would have sold even more if she'd licensed Spotify.  But most likely, she would have sold less: according to stats just released by Nielsen Soundscan and tweeted by the singer, Red shifted an unbelievable, record-setting 1.2 million copies during its first week alone.  And, this is in the US only.       

The result puts a recent, Spotify-powered success story by Mumford & Sons into a totally different light.  Leading into the Taylor release, Mumford's Babel set a massive streaming record on Spotify, and still went on to sell a sizable 600,000 first-week units.  The strategy of granting full access obviously worked, but in the end, Babel sold half of what Red sold.  These are different artists with different audiences, with different consumption behaviors. 

 

 "NPR Just Asked Me Why Mumford & Sons Licensed Spotify, and Taylor Swift Didn't..."

 

And, Red sold an almost unthinkable number of units, especially in such an album-challenged era.  Swift surpassed the previous million-plus first-week seller, Lady Gaga's Born This Way, by roughly 100,000 units, but Gaga received a tremendous boost from a sharply discounted, 99-cent album bonanza on Amazon.  That was a near-freebie for fans, and a subsidized attention-getter for Amazon.  

Yet Taylor's camp decided against such a ploy: in fact, Swift's label, Big Machine Records, expressly restricted Red from appearing on Amazon MP3 (and Google Play, for that matter).  The reason was simple: Big Machine wanted to prevent that sort of price-chopping from happening, a development that would have devalued the full-priced integrity for exclusive partners like iTunes, Target, and even Papa John's Pizza.

Which means, in the end, Red sold 1.2 million the old-fashioned way: at full price, and through a highly-controlled list of retail partners.  And the last album to reach that first-week tally was The Eminem Show, released in 2002 - before Spotify, before Amazon MP3, and even before the iTunes Music Store.

 

Any questions?

 





  • Comments Closed
    Comments (58)

    Visitor Wednesday, October 31, 2012

    It just beats me that her untalented selve can appeal to so many puppets! That's "Music" for you today, it sucks big time


    Visitor Wednesday, October 31, 2012

    No, it just says that you're 40 -- or more likely -- 50+.


    Rick Ellis Wednesday, October 31, 2012

    I get your overall distrust of streaming services. But comparing the Taylor Swift sales numbers vs. Mumford and using that as some sort of validation of her non-streaming policy is silly.

    You're comparing someone with a string of hit singles and big-selling albums against a group that is just breaking big. Actually, given her success, the Mumford sales comparison os pretty impressive.

    I don't believe that Swift's label really believes streaming cannibalizes sales. I suspect it has more to do with her label's efforts to get more money from terrestrial radio. They're using the non-streaming strategy as a financial incentiv: "See, you'll be the only place fans can hear her new music, pony up the money."


    Avi Wednesday, October 31, 2012

    "But comparing the Taylor Swift sales numbers vs. Mumford and using that as some sort of validation of her non-streaming policy is silly."

    Agreed. Claims like this should be supported by a basic understanding of statistical analysis - e.g. controlling for other factors.

     


    MPC1000 Wednesday, October 31, 2012

    hate to say, get used to this Spotify 


    Visitor Wednesday, October 31, 2012

    Why is there a Papa Johns pizza box used for this article on the main page? I don't get it. What's the connection?


    balbers Wednesday, October 31, 2012

    Google is your friend.


    Visitor Wednesday, October 31, 2012

    Not if you're an artist...


    Visitor Saturday, November 03, 2012

    Haha - made me laugh out loud, and cry a bit inside...


    Jeff Robinson Wednesday, October 31, 2012

    When I think of Taylor Swift, I think more of a poodle than I do of a pizza.  Really crappy product alignment anyway.  Another question, why does Starbucks sell CDs?


    hank alrich Thursday, November 01, 2012

    Because they can.


    paul Wednesday, October 31, 2012

    The Papa John's inclusion represents such a contrast to Spotify and streaming services in my opinion, which is why I featured it.  The pizza deal is: highly controlled, low volume, but also highly profitable on a per-unit and advertising basis.

    Spotify lacks those characteristics: it's access at a low per-track payout, it's not controlled to anywhere near the same extent, and not a substantially direct revenue generator.  Papa John's equals money right now for Swift - upon delivery, so to speak - whereas Spotify often touts soft advantages like downstream sales of merchandise, curbing piracy and creating awareness.  Actually, Rhapsody directly made the case for downstream sales of items like t-shirts in its protest against Swift.

    /paul


    Jeff Robinson Thursday, November 01, 2012

    So the Papa Johns customer is also a Taylor Swift fan?  There are major problems with that assumption.  Starbucks at least tries to make 'lifestyle' choices with the music they offer for sale in their stores.  It's a huge, bad choice committment to align with a single product.  It would be like saying everyone who buys Michelin Tires is a Pittsburgh Steelers fan.  Huh?  That's my point.


    Papa Swift Thursday, November 01, 2012

    But when people called Papa Johns to order a pizza, they were asked "and would you like us to also deliver Taylor Swift's new album with your cheese pizza" (or something like that).  Every single person who call Papa Johns was asked that.  And it seemed to help work the magic.


    Amy Wednesday, October 31, 2012

    I'm getting to the point where as soon as I see that an article is by "Paul", I preemtively brace myself for unscientific statistical analysis and a series of strung together partial facts premised on personal bias.

    I'm not saying Swift's sales and her label's strategy aren't interesting, but comparing them to Mumford and Sons is not the way to go about it.


    Visitor Wednesday, October 31, 2012

    No, but comparing Red to The Eminem Show is right on the money!

    Her accomplishment is a total sensation.

    Show me an artist/label who isn't studying the numbers and the stratey closely right now...


    Visitor Wednesday, October 31, 2012

    ... oh, and let's not forget that other crucial part of her strategy:

    She's not on Amazon!

    More food for thought.


    Murrow Thursday, November 01, 2012

    Good point amy. How about comparing red with speak now? Wouldn't that be more appropriate, since both records were recorded by the same artist? Wait a minute, that would require REPORTING!! God forbid!

    For the record red outsold speak now by 200k first week. Much more than a rounding error. But Max Martin didn't cowrite and produce a single on speak now. 


    HansH Wednesday, October 31, 2012

    You can argue all you want. The bottom line: no one knows.

    But it sure causes a lot of unsatisfied Spotify users when this keeps going on. Maybe there is a "best of both worlds"?

    How about this solution?

    Release the album on Spotify as a Premium exclusive
    Show Free users buttons to buy the album or upgrade to Premium
    Reward Taylor with $10 for every user who upgrades to premium because of her album.

    Label happy, Spotify happy, Premium users happy, Taylor happy.

    This is what it could look like:

    I have submitted this idea on the Spotify Community Forum.

    If you like it feel free to give it kudos.

    http://community.spotify.com/t5/Spotify-Ideas/Option-for-labels-to-release-new-albums-as-Premium-Exclusive-and/idi-p/182650

    BTW in Xbox Music the album is available as preview with an option to buy the album. This way you can at least find the album in your favourite service. 

    And sorry for crossposting this;)

     

     


    Visitor Wednesday, October 31, 2012

    Here is a much better idea:

    Pay artists for their music!

    If you don't, they'll have to do something else for a living.

    Which means you and your children's children will be stuck with your Bach, Beatles & Bieber collection for eternity.

    Yawn.


    Casey Wednesday, October 31, 2012

    They do every single play.


    Visitor Wednesday, October 31, 2012

    Yeah, right...


    HansH Wednesday, October 31, 2012

    Sorry, I forgot the add the "buy a t-shirt" button ;)


    Visitor Wednesday, October 31, 2012

    If you print this, I'll buy one:

    Bye bye, Spotify!


    HansH Wednesday, October 31, 2012

    Deal. I will print "Hello Xbox Music!" on the back


    Visitor Wednesday, October 31, 2012

    That's a dealbreaker. Xbox is ok, but music streaming is dead.


    Oz Wednesday, October 31, 2012

    nope, Hans unfortunately that idea is impractical and financially unworkable - on a number of levels


    HansH Thursday, November 01, 2012

    Why? Educate me please.


    Visitor Thursday, November 01, 2012

    Streaming's not dead? :)

    Wow!

    So, you think artists & labels will say:

    "Mm, let's see... Ms. Swift avoided streaming and sold more than anybody else in a decade, let's do the opposite!"


    HansH Thursday, November 01, 2012

    No, I'm saying: do both!


    Casey Saturday, November 03, 2012

    Oh no my friend, it is far from dead. In fact it is being "built in" to windows 8 and will be "built in" to upcoming iphones and mac products. The streaming revolution has just begun. Artists that don't jump on will be burried.


    David B Wednesday, October 31, 2012

    But does Spotify have 'premium exclusives' of this kind?  If they do, they keep quiet about it.  They do claim that in some cases premium subscribers can listen to tracks before they are released (a lot of artists stream some tracks, e.g. on Soundcloud, before release), but they say nothing to suggest that premium users have access to released tracks that free users don't.  According to some reports the reason Adele (or her management) held out against streaming 21 was that she was willing to stream it to premium users only, but Spotify refused this option. 


    HansH Wednesday, October 31, 2012

    They do, but I was told for 2 or 3 weeks max. That's their current policy. Maybe that's why they did not comply with Adele's whishes. 


    Jeff Robinson Wednesday, October 31, 2012

    As a label that distributes through the Orchard, it's not possible to request 'premium' anything.  We can't even set the sales price of an .mp3 with this service.  I've had direct conversations with people over there only after posting about the onerous task of dealing with them and then as we go through details, they are merely a digital aggregator that has practically no useful features for their label partners.  It would be great to deal directly with Spotify, but it's just not a reality.


    HansH Wednesday, October 31, 2012

    Looks like Premium Exclusive is exclusive for big labels. What a shame.

    Spotify should do something to stop this or this won't end well. 

    http://www.thiswontendwell.com/2012/10/meek-mills-album-withheld-from-spotify-other-streaming-sites/

     

     

     


    Visitor Wednesday, October 31, 2012

    This is the beginning of the end... bye, bye Spotify.

     


    Me Wednesday, October 31, 2012

    I'm really curious how many of those sales came from Papa Johns.  Does Papa Johns even report to Soundscan?


    Andrew I. Wednesday, October 31, 2012

    This.


    Page n' Plant Wednesday, October 31, 2012

    18,000 came from Papa John's


    Me Wednesday, October 31, 2012

    How many were delivered, and how many were pick up orders?


    paul Wednesday, October 31, 2012

    I'm sure there's a study somewhere that says if you order extra cheese, then you're 3 times as likely to also order the CD.


    Central Scrutinizer Thursday, November 01, 2012

    Ha!


    Visitor Monday, November 05, 2012

    Wrong. 


    Doo Jazzy Jeff Wednesday, October 31, 2012

    Two answers. Genre-country music and demographic-young teens receiving album from parents/elders. So really one answer. DEMO. This isn't surprising. Let's talk about good music shall we?


    Visitor Wednesday, October 31, 2012

    I think it's surprising to a lot of people -- and it's definitely relevant for a digital music news site -- that you can sell 1m+ if you don't stream.

    This is going to change everything.

    Everybody wants to copy a success...


    Visitor Wednesday, October 31, 2012

    You fools will never be as rich as the superstar Taylor Swift. A REAL musician.


    Visitor Wednesday, October 31, 2012

    I think you're wrong. Why would anyone use Spotify after this?

    This is just the beginning...


    @dave_cool Wednesday, October 31, 2012

    There's more "windowing" to come.


    Casey Wednesday, October 31, 2012

    If it were still released on Spotify... it still would have sold 1.2 million. There is zero proof withholding music from Spotify had any impact on sales whatsoever. It's Taylor Swift. As if there were any chance the album would tank.


    Visitor Thursday, November 01, 2012

    You guess, and you believe, and you think, and you dream.

    Here's the fact:

    Ms. Swift avoided streaming -- and she sold more the first week than anybody else the past ten years!

    This will affect everybody's release strategy from now on.

     


    Casey Saturday, November 03, 2012

    She sold more because she is Taylor Swift. It has nothing to do with streaming and everything to do with who she is.


    Spotify is doom? Wednesday, October 31, 2012

    Spotify currently has 4,500,000 paying subscribers who pay on average around $110 a month.

    And Amazon is in talk with Spotify to purchase it for $3.7 billion USD.

     

     

     


    INchun Thursday, November 01, 2012

    Bezos is a spender, but he's not stupid.  You could build the same thing and even poach a few Spotify engineers for a fraction of that.   Plus Amazon's got the label relationships.


    Casey Saturday, November 03, 2012

    But Spotify is worth something as a brand. The brand itself is easily the most valuable name in streaming.


    Visitor Thursday, November 01, 2012

    It's not the first bubble to burst, and it's not the last.


    JD Thursday, November 01, 2012

    Not of your opinions matter. They did these deals and sold a shit load of albums. Good for them. next!


    mdti Friday, November 02, 2012

    Is it me or the only products that sell well now are from good looking women singers ?

    Seems that it is the only kind i saw here on DMN.


    Casey Saturday, November 03, 2012

    For now this "buy now, stream later" idea may work. But as streaming goes more mainstream and buying continues to go by the wayside, the idea will change to "steal now, stream later."

    Artists don't really realize the fire they are playing with. You are dealing with a nre generation of people. These people won't be pushed around and they won't spend more money on you just because you think you deserve it.


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