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What the Future of Music Policy Might Look Like...

Wednesday, July 28, 2010
by  presnikoff

The majors pay RIAA chief Mitch Bainwol $1.5 million a year, but music policy in the US seems mostly rudderless. ISPs are getting away with murder, radio stations seem to be winning the fight against performance royalties on recordings, and anti-piracy seems like a punchline.

But this discussion goes beyond the majors, and affects smaller labels and artists as well.  And, at some point, the majors will have an even smaller voice on the Hill.  But where should the emerging industry focus its policy initiatives?  That will be explored in Washington in early October at the Future of Music Summit, a focused symposium that currently counts participation from Topspin Media head Ian Rogers, T-Bone Burnett, and OK Go frontman Damien Kulash.

These discussions are typically a bit wonky, though the participation of "Outside the Beltway" voices like Rogers will probably help to offer some balance.  Those attending the Georgetown University affair will also be treated to supersessions, networking mixers, concerts, and even film screenings.  The event is being coordinated by the Future of Music Coalition.

 



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