NMPA President Accuses Spotify of ‘Black and White Falsehoods,’ ‘Misleading Spin,’ and ‘Deceiving Songwriters’

photo: Jonny Lindner (CC 2.0)
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photo: Jonny Lindner (CC 2.0)
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photo: Jonny Lindner (CC 2.0)

Yesterday, Spotify issued a statement clarifying why it appealed the Copyright Royalty Board’s songwriter royalty increase.  That prompted a point-by-point, furious response from the president of the National Music Publishers’ Association.

The retort was issued by NMPA president David Israelite within 24 hours.

The NMPA, which represents the largest music publishers, has been an extremely vocal critic of Spotify, Amazon, Google, and Pandora after each decided to protest the CRB’s substantial royalty increase for songwriters.

Here’s Israelite’s enraged response:

“Spotify released a blog post attempting to spin why it is fighting against songwriters and trying to reverse the CRB decision which granted songwriters only their second meaningful rate increase in history.

Let’s fact check their blog:

SPOTIFY SPIN:  Is Spotify suing songwriters? No, Spotify is not suing songwriters. Spotify, Amazon, Google, and Pandora have each individually appealed the CRB outcome. The National Music Publishers’ Association, or NMPA, also filed an appeal. An appeal is the only avenue for anyone to clarify elements of the CRB ruling.

TRUTH: Spotify is appealing the decision of the CRB to the US Court of Appeals for the DC Circuit in order to reduce or eliminate the royalty rate increases granted to songwriters by the CRB.  It’s that simple.  Everything else –including Spotify’s attempt to describe its filing as “clarifying elements” of a ruling—is misleading spin.

Simple question for Spotify – do you want to reduce or eliminate the rate increase?  If the answer is anything but an unqualified “no”, then all songwriters should see right through Spotify’s attempt to divert and distract.  Further, NMPA made clear it would not appeal unless the digital services appealed first.  If the digital companies withdraw their appeal, so will NMPA.

SPOTIFY SPIN:  Does Spotify think songwriters deserve to be paid more? Yes – this is important to songwriters and it’s important to Spotify. The industry needs to continue evolving to ensure that the people who create the music we all love — artists and songwriters — can earn a living. The question is how best to achieve that goal.

TRUTH: Let’s start with the most obvious falsehood. Spotify put on a case at the CRB trial where it had an opportunity to propose any rate structure it wanted. Did Spotify propose paying songwriters more? No. Spotify actually proposed a REDUCTION from the old rates. If Spotify thinks songwriters deserve to be paid more, and it’s just a question of by how much and how best to achieve that goal, why did it propose to the CRB to CUT what songwriters earn?  Spotify claims songwriters deserve to be paid more, but Spotify fought in the CRB to cut rates, and now Spotify is fighting in an appeal to prevent the rate increase ordered by the CRB.  Spotify should understand that actions speak louder than words. There is no way to spin this Spotify.

SPOTIFY SPIN:  Do you support the CRB rates? We are supportive of US effective rates rising to 15% between now and 2022 provided they cover the right scope of publishing rights. But the CRB’s 15% rate doesn’t account for all these rights. For example, it doesn’t consider the cost of rights for videos and lyrics.

TRUTH: Spotify’s answer is an attempt to trick you.  Let’s be clear, Spotify knows Section 115 doesn’t include the video and lyric rights of songwriters. So, Spotify tries to fool you into thinking it supports the 15% rate as long as it includes the “right scope” of rights, and then names two rights over which the CRB has no authority. The CRB ordered a 15.1% rate for ONLY the Section 115 mechanical reproduction rights structure. If Spotify wants the video and lyric rights of songwriters, Spotify knows it has to negotiate for those rights in a free market, on TOP of the Section 115 compulsory rate.  What Spotify is saying is that it doesn’t want to pay any more for your lyric or video rights, even though every other digital service must do just that.  No one should be fooled by this smokescreen.

SPOTIFY SPIN:  So why is Spotify appealing? The CRB rate structure is complex and there were significant flaws in how it was set. A key area of focus in our appeal will be the fact that the CRB’s decision makes it very difficult for music services to offer “bundles” of music and non-music offerings. This will hurt consumers who will lose access to them. These bundles are key to attracting first-time music subscribers so we can keep growing the revenue pie for everyone.

TRUTH: Let’s talk about “bundles.”  Spotify complains it will be difficult for music services to offer “bundles” of music and non-music offerings under the new rate structure.

Let’s be straight about how Spotify (and Amazon) want “bundles” to work. Say that Spotify wants to partner with a non-music service, like a gym. You join the gym, and pay $50 every month, and you get Spotify for “free”, something that would cost $10 a month if you paid for it alone. Let’s also say the rate stays at the 15% of revenue. For a music service alone, Spotify would owe the songwriters/publishers 15% x $10 which would equal $1.50. Simple, right?  So if the $10 Spotify service is “bundled” with a $50 a month gym membership, and the rate is 15%, how much should Spotify pay the songwriters/publishers?  Under the CRB ruling, Spotify would have to value the music service at $10 per month, and still owe $1.50. That’s what Spotify calls “flawed.”  So, how does Spotify want it to work?  Spotify wants to be able to “deduct” the value of the non-music value from the revenue pool, before applying the rate. So, if the gym membership is arguably worth $50, Spotify wants to claim that the value of the music service is then $0, and 15% of $0 is … well… you get the picture.

Spotify tries to deceive songwriters into thinking “bundles”, a topic few people understand well, is driving its decision to appeal, and makes NO mention of intending to fight against the rate increase.

SPOTIFY SPIN:  So what’s the right way to split the pie? Music services, artists, songwriters and all other rightsholders share the same revenue stream, and it’s natural for everyone to want a bigger piece of that pie. But that cannot come at the expense of continuing to grow the industry via streaming. The CRB judges set the new publishing rates by assuming that record labels would react by reducing their licensing rates, but their assumption is incorrect. However, we are willing to support an increase in songwriter royalties provided the license encompasses the right scope of publishing rights.

TRUTH: Ok – there is spin, and then there is black and white falsehood.  Spotify alleges the CRB judges “assumed” record labels would react to the publisher rate increase by reducing their rates. Not only is that not true, the judges wrote the opposite in their opinion.  For those who want to fact check, read footnote 75 on page 35 of the CRB’s Final Determination. The truth is that unlike songwriters, Spotify and record labels are in a free market. What Spotify pays record labels is negotiated between the parties. How those two parties split the 85% of revenue left over after paying songwriters and publishers their 15% of revenue is irrelevant and has no relationship to the value of the songs to Spotify’s business model. Simple solution – let songwriters and publishers negotiate the value of their copyright the same way that record labels do – but Spotify opposes that.

SPOTIFY SPIN:  We hope this helps explain why we took this step, and what you can expect from Spotify as the industry works together moving forward. These are hard issues but we will listen and be open about what we think. Our mission is clear: we want to help more artists and songwriters make a living doing what they love.

TRUTH: What can we expect from Spotify?  We can expect them to attack songwriters to cut what it pays them, and then try to deceive you about what it is doing.  Yes – Spotify’s mission IS clear. And for songwriters, and those who care about songwriters, our mission is clear too. This fight has just started.

11 Responses

  1. Johnson

    Best thing now, for us to really trust this response in it’s entirety, is to hear Spotify respond once more directly.

  2. Joesph

    A 44% increase over the next 5 years does seem a bit high, especially since songwriters as a whole are seeing their incomes increase due to streaming growth. Somebody is going to have to pay for the increase in the rate and it’s not going to be Spotify or any of the other streaming platforms. They will all pass the cost along to the consumer with increased subscriber fees, which is expected. It’s consumers who are funding these royalties, not “companies”.

    • Anonymous

      I think quite a few readers would argue that a subscription that allows you to listen to all the music out there should be worth more than $9.99/month. Philosophically, I don’t disagree. Realistically, I’m not entirely sure it would actually make things better though.

    • Anonymous

      Spotify is a app base business. The overhead costs are low. Spotify are just a pack of greedy wolves. Any kid that know how to code can create a new app.

  3. Anonymous

    Daniel Ek, the founder of Spotify, use to be the CEO of a software company called uTorrent. This is a piece of software used to share files for free. You can download any and everything for free; software, music, videos and more. When this piece of software was sold to another similar company Daniel Ek left and started Spotify.

    I say this to say Daniel Ek doesn’t give two squats about the creators/artists. It seems to me that he is exploiting everyone that comes across his products/services. This war started years ago with file sharing company’s like Limewire, Napstar, The Pirate Bay and Kick Ass Torrents, just to name a few.

    • Truth

      No, uTorrent is NOT a piece of software that allows you to “download any and everything for free.”

      You can only download what is currently made available, from other users, on the sites that you search.

      Educate yourself and/or be clear and honest. Moron.

  4. Kenneth Higney

    I think NMPA and its associates should lobby for songwriters and/or publishers (the copyright owners) to have the right to pull their songs off of streaming services as master owners are able to do. I understand labels want the music up there b/c they own interest in such services but the songwriters do not. If a song is a “cover”, too bad for the artist if it gets taken down. Most writers are not “on the road” (not being artists) so their income is not increased. Songwriters receive most (if not all income) from the streaming, synch and etc. fees. Synch is negotiated, streaming is not. If they are not getting paid a fair price, they should have the right to pull their songs from streaming services even if the covering artist/record company disagrees. If the songs go away due to being pulled by the writers, streaming will dry up and you will see how fast all such services come to the table with hat in hand.

  5. Puh-Lease!

    Let’s fact check Israelite’s screed, shall we:

    ISRAELITE SPIN: “NMPA made clear it would not appeal unless the digital services appealed first. If the digital companies withdraw their appeal, so will NMPA.”

    Ha! So, in other words: “We’ll let you let us win, if you want us to.”

    To wit:

    “NMPA Claims Victory: CRB Raises Payout Rate from Music Subscription Services”
    1/27/2018 by Ed Christman

    “We are thrilled the [Copyright Royalty Board] raised rates for songwriters by 43.8 percent — the biggest rate increase granted in CRB history,” NMPA president/CEO David Israelite said in a statement.”

    My, how gracious.

    ISRAELITE SPIN: Spotify put on a case at the CRB trial where it had an opportunity to propose any rate structure it wanted.

    ACTUAL TRUTH: Did Spotify have the ability to propose a system where a decent proportion of what they pay to publishers and labels ACTUALLY gets to the songwriters? No!

    That, my freinds, is in the hands of Israelite and his Board Members. And uh, have ANY of you checked any of THEIR salaries, recently?….

    Yeah…

    ISRAELITE SPIN: Spotify knows Section 115 doesn’t include the video and lyric rights of songwriters. So, Spotify tries to fool you into thinking it supports the 15% rate as long as it includes the “right scope” of rights, and then names two rights over which the CRB has no authority.

    ACTUAL TRUTH: The CRB’S authority DOESN’T include the rights to set mechanicals for streaming, either. If NMPA wants to throw a “mechanical” for one -time perfomances over streaming services to the CRB when it suits them, they shouldn’t also complain when others want additional things included in thier ever-expanding license, as well.

    Goose and gander, right?

    ISRAELITE SPIN: Spotify wants to be able to “deduct” the value of the non-music value from the revenue pool, before applying the rate. So, if the gym membership is arguably worth $50, Spotify wants to claim that the value of the music service is then $0, and 15% of $0 is … well… you get the picture.

    ACTUAL TRUTH: The way bundles SHOULD be calculated, in most instances, is a percentage of the overall discount should be attributed to each portion of the bundle, proportionally. In other words, if I bundle a $10 music service with a $50 gym membership, for a total cost of $50, then the proportional valuation of the gym membership should be $42.50 and the proportional valuation of the music service should be $7.50. Israelite knows this. He’s just being greedy about wanting the full, free-market value of a stand-alone music service to be applied to ANY bundle.

    ISRAELITE SPIN: What Spotify pays record labels is negotiated between the parties. How those two parties split the 85% of revenue left over after paying songwriters and publishers their 15% of revenue is irrelevant and has no relationship to the value of the songs to Spotify’s business model.

    ACTUAL TRUTH: Hmmm… then what DOES the amount that Spotify and other services pay to lables have a relationhip to, eh?

    Oh, that’s right! Actual profits!!!! I’d say that’s “relevant” to the business model. Wouldn’t you?

    ADDITIONAL ISRAELITE SPIN: Simple solution – let songwriters and publishers negotiate the value of their copyright the same way that record labels do – but Spotify opposes that.

    ACTUAL TRUTH: Um, every songwriter and publisher has – and always has had – the 100%, full, unfetttered and un-regulated ability to negotiate the full value of their copyright, the exact same way that record labels do – In a 100% unrestricted, free market.

    There are NO controls or strings attached – AT ALL – to the very important first use license, which EVERY SINGLE SONG must be licensed under, before it can EVER be used.

    Anyone want to guess why the songwriters and publishers NEVER avail themselves of that right?

    Anyone?

    Man, I really hate all the bullshit that spews, from every side of this industry, as everyone tries to protect thier little crumb on the plate…

    • Anonymous

      Countering the NMPA bullshit with this bullshit in defense of the original bullshit that Spotify released probably won’t help the situation, but thank you for your efforts.

  6. Anonymous

    Real question:

    Is it true that songwriters have a free-market right to license “first use,” that they can charge anything they want for?