In today’s ultra-competitive music landscape, how you pitch to execs is almost as important as the quality of your music. So how do you get your music heard? Here are critical pointers from three longtime music industry pros.
The following discussion on how to get your music heard was created with the support of Songtradr, part of a broader partnership focused on the sync licensing space. Be sure to check our ongoing coverage of this fast-growing sector here.
Digital Music News was on hand for the hour-long discussion, which was replete with pro tips centering on how to get your music heard by big-name professionals, brands, and, ultimately, audiences. Longtime film composer Matthew Head, established songwriter Andy Love, and Emmy-winning television writer Yule Caise participated in the virtual happening.
Here are a few of the ways that artists can tighten their pitches, and maximize their chances of getting juicy placements and gigs.
1. Show up prepared.
“I do the research. And I’ve been guilty in the past, early in my career, of not doing enough research,” said Caise. “It’s just giving you the broader sum so that you can walk into a room open, and be open to ideas.”
Each of the Happy Hour guests emphasized just how significant it is for you to plan ahead of pitches. This means being friendly and building strong relationships with company higher-ups – centering on something besides music, if possible – and carefully compiling works that fit the mood and style of the visual media at hand. Additionally, you should be sure to introduce only your best-suited tracks, as especially lengthy pitches could very well dissuade execs and drawn attention away from your songs’ merits.
2. Don’t let inevitable setbacks throw you off; confidence is key.
“You have to have the toughest skin, you know, out of most other jobs,” said Love.
Confidence is an integral ingredient in the recipe for pitching results, and as you likely already know from other elements of your career, challenges and obstacles are unavoidable. With pitches in particular, the way you respond to difficulties – from short comments to outright denials – is everything.
Do all that you can to connect with execs and set yourself up for success, but realize that thick skin is more a necessity than a suggestion. Setbacks are inevitable, and music is highly subjective.
3. Trust your instincts.
“Every piece of music that you hear is something that I personally like. … If I can stand behind something that I don’t question, then if you don’t like it that’s on you,” said Head.
During pitches, it can be hard to remember that the involved execs have agreed to meet with you because they need a product that only you can deliver – or, at the very least, that they cannot produce on their own. And in the same vein, their recommendations are just that: recommendations.
The reality is that you’re the expert, and as such, you have to trust your instincts. Advice and remarks are a dime a dozen, and to supply moving music, you must draw on your vast expertise and many hours of experience. That doesn’t mean disregarding criticism entirely, but rather, it means creating exclusively on your terms.
You might be surprised by the results that accompany staying true to yourself. Some of the Happy Hour speakers’ greatest professional achievements arrived when they weren’t catering to the crowd – as opposed to catering solely to the whims of those who are, admittedly, unfamiliar with the creative process.
4. Let the opportunities come to you.
“Now I’m at a place where I’m like, ‘Ah, they’re not calling back,” said Caise. “If they wanted to, they would. …There’s somebody else who’s gonna think that what you’re doing is amazing.”
In an industry that revolves around constant motion – writing, recording, rehearsing, performing, and tending to the business side of things – you might find this pro tip counterproductive. Realistically, though, it’s a major step towards fully understanding how to get your music heard.
Assure that your website and social media handles are up to date, of course, and make a point of cultivating industry contacts – but bear in mind more than anything else that you’re represented by your music. If your works “check all the boxes” and resonate with listeners, execs will call you. Attempting to force deals will waste your invaluable time and energy.
These expe TS should be honest with musicians.
The Big Three Labels control music, prop up the same safe pop stars and block new music.
This expert says no musician has a chance till this changes.
Musician, ask yourself do you know of let’s say 25 exceptions, 10? 5 ?
In the 1980s the music industry had almost killed itself
Then came a musical act that resurrected its worthless hide
That act was Michael Jackson
That Album was Thriller
Making the industry whole again with the new genre called POP
Michael Jackson became the most powerful man in music and eventually owned a huge chunk
Then they killed him
So…. Musicians not entertainers MUSICIANS Crafters of music
I beg you
Do Not Sign
We are almost free
They will be increasingly more toxic
They have overplayed the genres again
That bottom line mentality has killed growth
There is no new genre to save them
Stay out of its way
Let it die
They are redundant
Everything they do you can do on your own
The reason it hasn’t worked is because they have created a monopoly
Propping up indie plants to hide this fraud
This has been the greatest art theft in history
And now it’s over
And places like this website are apart of that monopoly
Just like ASCAP BMI FACEBOOK SPOTIFY ALL ALL ALL OF THEM
They hand out advise that weakens you
Advise that goes against business trends
You already know this if you read the newsletters they send out.
Dont be CONNED
DON’T FALL FOR PROPAGANDA
Don’t fall for the DIY LIE!
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