<?xml version="1.0"?> <oembed><version>1.0</version><provider_name>Digital Music News</provider_name><provider_url>https://www.digitalmusicnews.com</provider_url><author_name>Paul Resnikoff</author_name><author_url>https://www.digitalmusicnews.com/author/presnikoff/</author_url><title>Six Incredibly Predictable Results of 'Six Strikes...' - Digital Music News</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content"&gt;&lt;a href="https://www.digitalmusicnews.com/2013/02/25/six/"&gt;Six Incredibly Predictable Results of &#x2018;Six Strikes&#x2026;&#x2019;&lt;/a&gt;&lt;/blockquote&gt;
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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.digitalmusicnews.com/2013/02/25/six/embed/" width="600" height="338" title="&#x201C;Six Incredibly Predictable Results of &#x2018;Six Strikes&#x2026;&#x2019;&#x201D; &#x2014; Digital Music News" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><description>Last month, we marveled at how the ISPs effectively de-fanged &#x2018;three-strikes,&#x2019; and replaced it with a far softer &#x2018;six-strikes&#x2019; instead. &#xA0;Then again, the powerful oligopoly that controls broadband access in the US is better financed, better coordinated, and just smarter than the recording industry (and maybe Hollywood as well). Which brings us to the Copyright [&hellip;]</description><thumbnail_url>https://www.digitalmusicnews.com/wp-content/uploads/2013/02/battychair.jpg</thumbnail_url></oembed>